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<channel>
	<title>Quarter Year &#187; Retrospect</title>
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	<link>http://www.quarteryear.com</link>
	<description>Travel</description>
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		<title>Before there were markets</title>
		<link>http://www.quarteryear.com/before-there-were-markets/</link>
		<comments>http://www.quarteryear.com/before-there-were-markets/#comments</comments>
		<pubDate>Tue, 30 Nov 2010 17:20:37 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Europe]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[back-to-the-land]]></category>
		<category><![CDATA[foraging]]></category>
		<category><![CDATA[Grantourismo]]></category>
		<category><![CDATA[HomeAway Holiday-Rentals]]></category>
		<category><![CDATA[spirituality]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2249</guid>
		<description><![CDATA[The girls hopped from rock to rock with their skirts brushing the bushes. They sang high-pitched hymns that reached us in the wind, voices fragile like glass, clear and pure as the hill&#8217;s high air. From here we could see the Mediterranean to our right and the Pyrenees to the left. Gabriel knelt. &#8220;This is [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4520800782/" title="More dog by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4060/4520800782_42019544e6_b.jpg" width="750" alt="More dog" /></a></p>
<p>The girls hopped from rock to rock with their skirts brushing the bushes. They sang high-pitched hymns that reached us in the wind, voices fragile like glass, clear and pure as the hill&#8217;s high air. From here we could see the Mediterranean to our right and the Pyrenees to the left. </p>
<p>Gabriel knelt.</p>
<p>&#8220;This is rocayrol.&#8221;  The frizzy little lettuce grows in the cracks in high places. He slid his knifeblade into the rock and sliced the rocayrol at its root, tossed it in his basket then searched for another. Gabriel wears a leather necklace with a stamp-sized image of the Virgin Mary on one side and Jesus on the other, and it dangled outside his shirt.</p>
<p>&#8220;That&#8217;s asparagus,&#8221; he said, pointing to a fern leaning into the path. I&#8217;d never seen wild asparagus. &#8220;That&#8217;s fennel. And over there, that&#8217;s lemon balm. A tea of lemon balm, rosemary and mint gives men strength in the morning.&#8221;</p>
<p>We were collecting dinner salad for 13 people &#8211; the parents, nine kids and us two guests. Though they live on a farm in the valley, they collect much of their food from the surrounding hills. &#8220;God is generous,&#8221; the father said. And while neither of us is religious, as travelers our job is to listen to understand. And we understood. </p>
<p>&#8220;Rocayrol has the most wonderful taste,&#8221; he said. &#8220;It loves high rocks in the sun.&#8221; So we climbed high to find it, and as we collected it we listened to the girls&#8217; crystalline hymns.</p>
<p><em>This post has been entered into the <a href="http://www.homeaway.co.uk">Grantourismo HomeAway Holiday-Rentals</a> travel blogging <a href="http://grantourismotravels.com/2010/11/10/grantourismo-travel-blogging-competition-november/">competition</a>.</em></p>
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		</item>
		<item>
		<title>Terrifying Old Dragon Man</title>
		<link>http://www.quarteryear.com/terrifying-old-dragon-man/</link>
		<comments>http://www.quarteryear.com/terrifying-old-dragon-man/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 19:58:26 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[bali]]></category>
		<category><![CDATA[fingernails]]></category>
		<category><![CDATA[Grantourismo]]></category>
		<category><![CDATA[HomeAway Holiday-Rentals]]></category>
		<category><![CDATA[language]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2166</guid>
		<description><![CDATA[by Mike Even a year later this man&#8217;s look strips my facade to its frame. Can you feel it too? His worker, a young man, made room in the shop for our flat-tired motorbike, and he went to work silently. I wanted a picture of the old guy, I had to have a picture of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4933005824/" title="Old dude, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4123/4933005824_b93b20796a_b.jpg" width="700" alt="Old dude, Bali, Indonesia" /></a></p>
<p>by Mike</p>
<p>Even a year later this man&#8217;s look strips my facade to its frame. Can you feel it too? His worker, a young man, made room in the shop for our flat-tired motorbike, and he went to work silently. </p>
<p>I wanted a picture of the old guy, I <em>had to have</em> a picture of those nails, but I made myself a rule to only take pictures of people I talk to. Damn principle. He didn&#8217;t speak English, so with my (very) limited Indonesian, I attempted to have a heart-to-heart with the old man, to get to know him, to have a meaningful, cross-cultural exchange.</p>
<p>&#8220;You work here?&#8221; I asked.<br />
&#8220;Yes.&#8221; </p>
<p>&#8220;How many years?&#8221;<br />
&#8220;27.&#8221; </p>
<p>Ah, the clumsy conversational dance where all you can reliably understand is &#8220;yes,&#8221; &#8220;no,&#8221; whole numbers and &#8220;chicken.&#8221;</p>
<p>&#8220;How old boy?&#8221;<br />
&#8220;16&#8243;</p>
<p>&#8220;Your son?&#8221;<br />
&#8220;No.&#8221;</p>
<p>&#8220;How many years you Bali?&#8221;<br />
&#8220;[Unintelligible, but he didn't say chicken].&#8221;</p>
<p>Someone else paid and he used his nails to flip though a wad of cash. I salivated for a photo. Enough chit-chat, time to go for the kill, but subtly of course.</p>
<p>&#8220;How many years?&#8221; I pointed to his hand.<br />
&#8220;One.&#8221; </p>
<p>Hold up, only a one year commitment for those things? This is doable! We can do this! </p>
<p>&#8220;I photo you?&#8221;<br />
&#8220;Yes.&#8221;</p>
<p>I love travel, don&#8217;t you? You can never predict what you&#8217;ll come across when you leave the beaten path. There are interesting old dudes out there, around the world, willing to take a second to chit chat with a foreigner.</p>
<p><em>This post has been entered into the <a href="http://grantourismotravels.com/2010/08/08/grantourismo-travel-blogging-competition-august/">Grantourismo</a> and <a href="http://www.homeaway.co.uk/">HomeAway Holiday-Rentals</a> travel blogging competition.</em></p>
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		</item>
		<item>
		<title>Recording a Place</title>
		<link>http://www.quarteryear.com/recording-a-place/</link>
		<comments>http://www.quarteryear.com/recording-a-place/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 04:21:40 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[South America]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[bogota]]></category>
		<category><![CDATA[candelaria]]></category>
		<category><![CDATA[journaling]]></category>
		<category><![CDATA[sense of place]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2160</guid>
		<description><![CDATA[The Candelaria in Bogota, Colombia by Mike To accompany this photo I searched my journal for a piece of writing that might radiate a sense of place in Bogota, but in the two weeks we spent there I only filled ten pages and little of it describes the texture of the city. Some say, &#8220;Put [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/3175890035/" title="Pink Street, Bogota, Colombia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm4.static.flickr.com/3435/3175890035_1b03ce9ab7_b.jpg" width="700" alt="Pink Street, Bogota, Colombia" /></a><br />
<i>The Candelaria in Bogota, Colombia</i></p>
<p>by Mike</p>
<p>To accompany this photo I searched my journal for a piece of writing that might radiate a sense of place in Bogota, but in the two weeks we spent there I only filled ten pages and little of it describes the texture of the city. Some say, &#8220;Put away the camera and enjoy the place!&#8221; but the two acts aren&#8217;t mutually exclusive. In fact, if measuring by regret (which is the only way to measure anything ever), I rarely regret taking the time to capture something but more often regret losing the first-person insight during a unique experience. With this in mind, sometimes I&#8217;ll simply list everything I&#8217;m noticing at a particular moment &#8211; sounds, smells, physical feelings, words, etc.</p>
<p>At the beginning of my first trip in 2001 I had to ask (our friend) Amy, &#8220;So, why does a person keep a journal?&#8221; I was on my way to Europe for the summer and had gotten a <strong>gorgeous</strong> hand-made journal from my then-girlfriend (I still count it as one of the most meaningful gifts I&#8217;ve received). Amy thought it was hilarious that I was asking for advice on what to write about in my own personal journal, but she ended up giving a pretty good rule of thumb: <em>Write about stuff you don&#8217;t want to forget</em>. It&#8217;s amazing, ten years later, to read back and say, &#8220;Oh yeah! I&#8217;d completely forgotten about that!&#8221; It makes me wonder what else I&#8217;ve experienced that might interest me, but I guess that can&#8217;t be easily mined.</p>
<p>Anyway, this picture is from a scenic little neighborhood in Bogota called The Candelaria. I think the photo captures the sense of place, even if my writing didn&#8217;t.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>My Relentless Wealth</title>
		<link>http://www.quarteryear.com/my-relentless-wealth/</link>
		<comments>http://www.quarteryear.com/my-relentless-wealth/#comments</comments>
		<pubDate>Fri, 06 Aug 2010 06:21:55 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[India]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[beggars]]></category>
		<category><![CDATA[bombay]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[fortune]]></category>
		<category><![CDATA[mumbai]]></category>
		<category><![CDATA[poverty]]></category>
		<category><![CDATA[third-person autobiography]]></category>
		<category><![CDATA[travel philosophy]]></category>
		<category><![CDATA[victoria train station]]></category>
		<category><![CDATA[vt station]]></category>
		<category><![CDATA[wealth]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2145</guid>
		<description><![CDATA[In the train station&#8217;s high yellow light a young American, new to India, looked at his book but thought about suffocation; each breath filled his mouth like tea. He smelled food prepared by an Indian family camped in a circle on the station&#8217;s floor. An old woman ate there, resting in anticipation. She would have [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4865455408/" title="Rice Paddy Sunset, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4143/4865455408_905deb80d1_b.jpg" width="700" alt="Rice Paddy Sunset, Bali, Indonesia" /></a></p>
<p>In the train station&#8217;s high yellow light a young American, new to India, looked at his book but thought about suffocation; each breath filled his mouth like tea.</p>
<p>He smelled food prepared by an Indian family camped in a circle on the station&#8217;s floor. An old woman ate there, resting in anticipation. She would have to shove through crowds to secure a seat for the night-long ride where she, herself, was more likely to suffocate than this fit young man. She would sleep against a stranger on the aisle floor. She would be carried to another part of India, another humid part of India, where the traveler might see orange glowing light he could not now imagine if only he were brave enough to step down from the car and breathe deeply through his nose. </p>
<p><a href="javascript:collapseExpand('3631')">(Read More)</a><div id="3631" style="display:none;"> </p>
<p>In the station he rose and followed a man to a ticket counter where others stood. He waited for them to finish. Hand prints smeared the window. A customer walked away and two more slid in and another man pressed against the counter. Mike waited patiently behind, above them. A dark man with fresh-smelling hair shouldered Mike&#8217;s ribs and nudged him farther back, so he was now separated from the counter by a crowd. Victoria station would not suffocate the young traveler, he was determined. Mike grew into his frame, his wide shoulders and thick chest. He was much larger than the Indian men. He leaned into each shift of the crowd and carved a path to the front. </p>
<p>Later, on the ground again, Mike stared beyond his book at a child&#8217;s dirty toes wiggling at him from bare feet. She held out an open hand. He ignored the beggar and he ignored the metallic ache that arrived in his ribs and coiled there. She stood for a minute, hand out, looking at a strand of brown hair curled over Mike&#8217;s pink ear. </p>
<p><em>Bombay is fine during the day, but I haven&#8217;t gotten used to the night. I feel so vulnerable then. Really, at night, I wonder whether I&#8217;ll make it three months, and at dusk I don&#8217;t know what to do. Sometimes I pine to see Westerners; I understand why blacks in the US say there&#8217;s a race problem &#8211; when you&#8217;re the minority it&#8217;s so apparent and jarring. Each day feels like a week, that, honestly, I just want to be over. The poverty here is relentless and my wealth is relentless and I can&#8217;t close my eyes on either. What am I supposed to do with this? What good is relative fortune? I can pose all the theories I want about giving to beggars but when I shut the hotel door I&#8217;d better have it sorted out because I&#8217;m tested before I reach the street. Were I brave enough to be vulnerable I&#8217;d talk with locals and justify this travel, but I only talk to beggars. I tell them, &#8220;No,&#8221; because I don&#8217;t know what else to say. </em></p>
<p>The dirty toes turned away and she walked like a ghost with her hands down. What haunts that girl&#8217;s body is the want for little and the expectation of nothing. If only she&#8217;d be at peace, he thought. The ache smoldered.</p>
<p>He looked past his book now into the eyes of an Indian man suddenly seated on the ground in front of him. The beggar didn&#8217;t extend his hand; he examined Mike&#8217;s blue eyes. The man&#8217;s black hair curled over his dark ears and he looked strong in his frame with wide shoulders and thick chest, though his legs had been cut off below the knees. Crutches lay beside him. Mike knew the man was 25-years-old, and they studied each other.<br />
 </div></p>
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		</item>
		<item>
		<title>Bali Unframed</title>
		<link>http://www.quarteryear.com/bali-unframed/</link>
		<comments>http://www.quarteryear.com/bali-unframed/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 22:53:45 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[bali]]></category>
		<category><![CDATA[houses]]></category>
		<category><![CDATA[scarecrow]]></category>
		<category><![CDATA[statue]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2126</guid>
		<description><![CDATA[by Mike Have been scraping through early Bali photos and pulled out this series. More Photos]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4854438557/" title="Statue Necklace by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4136/4854438557_f8099e75f0_b.jpg" width="700" alt="Statue Necklace" /></a></p>
<p>by Mike</p>
<p>Have been scraping through early Bali photos and pulled out this series.</p>
<p><a href="javascript:collapseExpand('3084')">More Photos</a><div id="3084" style="display:none;"> </p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4855061516/" title="A Sacred Tree, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4115/4855061516_11e5e1b9cb_b.jpg" width="700" alt="A Sacred Tree, Bali, Indonesia" /></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4854437173/" title="Shirt Scarecrow, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4073/4854437173_b130572234_b.jpg" width="700" alt="Shirt Scarecrow, Bali, Indonesia" /></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4855041544/" title="Carrier, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4102/4855041544_c0451fd961_b.jpg" width="700" alt="Carrier, Bali, Indonesia" /></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4855048000/" title="Fieldhouse, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4140/4855048000_e5928e2f26_b.jpg" width="700" alt="Fieldhouse, Bali, Indonesia" /></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4854445075/" title="More Indonesian Scarecrows, Bali, Indonesia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4135/4854445075_7b5021c819_b.jpg" width="700" alt="More Indonesian Scarecrows, Bali, Indonesia" /></a></p>
<p> </div></p>
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		</item>
		<item>
		<title>Aging Beauties in Yangon</title>
		<link>http://www.quarteryear.com/aging-beauties-in-yangon/</link>
		<comments>http://www.quarteryear.com/aging-beauties-in-yangon/#comments</comments>
		<pubDate>Wed, 30 Jun 2010 17:21:57 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Myanmar]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[buildings]]></category>
		<category><![CDATA[burma]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[myanmar]]></category>
		<category><![CDATA[Rangoon]]></category>
		<category><![CDATA[Yangon]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2096</guid>
		<description><![CDATA[by Mike Sometimes a city feels so different that you don&#8217;t even know what to take a picture of, so you snap shots of the biggest things around: buildings. Many buildings in Yangon were decaying, rotting or defiantly holding their ground against the heat and humidity. (More Pictures Inside) This, to me, is what Yangon [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4748892539/" title="IMG_9490 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4076/4748892539_ae18fd2706_b.jpg" width="700" alt="IMG_9490"></a></p>
<p>by Mike</p>
<p>Sometimes a city feels so different that you don&#8217;t even know what to take a picture of, so you snap shots of the biggest things around: buildings. </p>
<p>Many buildings in Yangon were decaying, rotting or defiantly holding their ground against the heat and humidity. </p>
<p><a href="javascript:collapseExpand('2404')">(More Pictures Inside)</a><div id="2404" style="display:none;"> </p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4749567508/" title="IMG_7448 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4077/4749567508_a563d1b8d3_b.jpg" width="700" alt="IMG_7448"></a><br />
<em>This, to me, is what Yangon felt like &#8211; wide and quiet streets, air illuminated by the warm sun while people take their time at curbside teashops.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748905055/" title="IMG_9356 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4094/4748905055_57f85bf4c7_b.jpg" width="700" alt="IMG_9356"></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4749542536/" title="IMG_9317 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4097/4749542536_6a50323a01_b.jpg" width="700" alt="IMG_9317"></a><br />
<em>It was illegal to take pictures of government buildings. Sometimes they were marked, but sometimes they weren&#8217;t, so Azure slyly took pictures of these behemoths, most likely forbiddenly.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748895859/" title="IMG_9493 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4077/4748895859_3777135c28_b.jpg" width="683" height="1024" alt="IMG_9493"></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748911145/" title="IMG_9261 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4099/4748911145_7f5a3c97b1_b.jpg" width="700" alt="IMG_9261"></a><br />
<em>Typical scene on the backstreets.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748917869/" title="IMG_7442 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4139/4748917869_3d103b8697_b.jpg" width="700" alt="IMG_7442"></a><br />
<em>We were surprised that the TV in our rooms showed international news (BBC) including stories on how the Myanmar government was illegally detaining Nobel Prize winner and opposition politician <a href="http://en.wikipedia.org/wiki/Aung_San_Suu_Kyi">Aung San Suu Kyi</a>. I wonder how many people inside Myanmar understand English well enough to grasp the newscast.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4749564216/" title="IMG_7446 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4138/4749564216_e9e7b47292_b.jpg" width="700" alt="IMG_7446"></a><br />
<em>Downtown mosque.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748888115/" title="IMG_9467 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4096/4748888115_736b4ca2dd_b.jpg" width="683" height="1024" alt="IMG_9467"></a><br />
<em>Hindu shrine with serious guard.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4749528000/" title="IMG_9447 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4073/4749528000_003eac0473_b.jpg" width="700" alt="IMG_9447"></a><br />
<em>The side of a Hindu temple.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4749550398/" title="IMG_9362 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4134/4749550398_4718858a52_b.jpg" width="700" alt="IMG_9362"></a><br />
<em>A very recognizable tea shop.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4748902549/" title="IMG_9349 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4118/4748902549_f159528ff8_b.jpg" width="700" alt="IMG_9349"></a><br />
<em>Many restaurants and food stalls cooked at outdoor kitchens like this one. I&#8217;m glad we got a shot of this because sometimes, when traveling, something novel might be so ubiquitous that you never take the time to get a shot of it.</em></p>
<p> </div></p>
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		<item>
		<title>A Waste of Gold</title>
		<link>http://www.quarteryear.com/a-waste-of-gold/</link>
		<comments>http://www.quarteryear.com/a-waste-of-gold/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 14:02:23 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Myanmar]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[gold]]></category>
		<category><![CDATA[lonely planet]]></category>
		<category><![CDATA[opulence]]></category>
		<category><![CDATA[pagoda]]></category>
		<category><![CDATA[shwedegon pagoda]]></category>
		<category><![CDATA[shwedegon paya]]></category>
		<category><![CDATA[worship]]></category>
		<category><![CDATA[Yangon]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2065</guid>
		<description><![CDATA[by Mike Can I be honest with you? (Who am I kidding, we&#8217;re all the imagination of ourselves, we hardly exist enough that you can object. So I&#8217;ll be honest.) We didn&#8217;t like Shwedegon Paya very much. It&#8217;s the top tourist draw in all of Myanmar, and apparently the pinnacle of Myanmar pride. The LP [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4728832186/" title="IMG_7116 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1247/4728832186_1aaa71e09e_b.jpg" width="700" alt="IMG_7116"></a></p>
<p>by Mike</p>
<p>Can I be honest with you? (Who am I kidding, we&#8217;re all the imagination of ourselves, we hardly exist enough that you can object. So I&#8217;ll be honest.) We didn&#8217;t like Shwedegon Paya very much. It&#8217;s the top tourist draw in all of Myanmar, and apparently the pinnacle of Myanmar pride. The LP guidebook writer appeared to have had an orgasmic experience that lead to them devoting more pages to the temple than to any other attraction I&#8217;ve seen in their books. There are probably more pages on the Shwedegon Paya than there are on non-Bali Indonesia.</p>
<p>But you know what? It was just a big temple, from the outsiders&#8217; perspective. Another misguided human attempt to honor the supernatural with material goods. Eh. </p>
<p>Oh, 100% of our entry fee was turned into gold leaf, which they reapply every year, while their people beg and starve. I suppose they mine vanity from the same source as Americans who buy luxury cars here at home, but none of this excuses our five-dollar contribution to it, so let me say this: If you&#8217;re going to Myanmar and you don&#8217;t have any connection to Buddhism or architecture, maybe skip this place. Give your five dollars to someone selling their own food on the street. <a href="javascript:collapseExpand('3283')">Pictures!</a><div id="3283" style="display:none;"> </p>
<p>Anyway, the whole time I was taking pictures here I felt like I was trying to draw blood from a stone. I mean, I know this place is beautiful, but opulence is ugly. It&#8217;s enough to make a monk take to the forest. </p>
<p><strong>The Structure</strong></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728183071/" title="IMG_7098 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1403/4728183071_99f66ac028_b.jpg" width="700" alt="IMG_7098"></a></p>
<p>I do have to admit, though, that the entrance was pretty exciting. It made you feel like maybe you were about to walk out onto the court for Game 7 of the NBA Finals, the only thing missing was the roar of the crowd.</p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728190487/" title="IMG_7144 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1011/4728190487_dc58a0daba_b.jpg" width="700" alt="IMG_7144"></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728842278/" title="IMG_7175 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1439/4728842278_94bf666859_b.jpg" width="700" alt="IMG_7175"></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728183953/" title="IMG_7110 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1163/4728183953_bd5da87662_b.jpg" width="683" height="1024" alt="IMG_7110"></a></p>
<p><strong>People</strong></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728160533/" title="IMG_9405 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1312/4728160533_4e655a9bb5_b.jpg" width="700" alt="IMG_9405"></a></p>
<p>Pagodas seem to be spirituality-centered gathering places. Locals were just hanging out, chatting, some even had food with them. Many were deep in meditation or prayer, and nobody seemed to mind having their picture taken. I wonder if this was due to the general, &#8220;I&#8217;m OK, You&#8217;re OK&#8221;ness of Buddhism.</p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728815674/" title="IMG_9413 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1412/4728815674_a1abf9bcec_b.jpg" width="700" alt="IMG_9413"></a><br />
<em>I was on the fence about including this picture because it&#8217;s not gorgeous or well-executed or anything, and the kid is an idiot, but I was so moved by this woman, apparently exhausted by her devotion, that I could never bring myself to cut it during the editing process.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728843426/" title="IMG_7155 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1365/4728843426_045c0ee51b_b.jpg" width="700" alt="IMG_7155"></a><br />
<em>This man is pulling a rope that rings a bell. Note that there&#8217;s a Buddha statue in front of him.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728197127/" title="IMG_7179 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1063/4728197127_3381cb7744_b.jpg" width="700" alt="IMG_7179"></a><br />
<em>This was our trusty guide. He just started talking to us and we didn&#8217;t have the heart to tell him to leave us alone (I think that&#8217;s how it&#8217;s done here, anyway), but he was a nice guy. He spoke good English and had been a professor his whole life, but the government forced him to retire because he could remember the time before their regime. That made him dangerous, of course, because he had a broad perspective of the government&#8217;s lies. He told us not to talk about it, though, and also not to trust just any monk &#8211; some of them, apparently, are government spies. The government&#8217;s main resistance comes from within the monasteries.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728838004/" title="IMG_7147 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1089/4728838004_952fab70dc_b.jpg" width="700" alt="IMG_7147"></a><br />
<em>TRAITOR!!</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728188803/" title="IMG_7139 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1410/4728188803_81bb615366_z.jpg" width="427" height="640" alt="IMG_7139"></a></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728186973/" title="IMG_7124 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1102/4728186973_424c9f3f52_b.jpg" width="700" alt="IMG_7124"></a><br />
<em>This little girl is wearing the traditional face paint, </em>tanakh<em>, I think. Most children and many women wore it. Men didn&#8217;t tend to wear it, for whatever reason. Apparently it works as sunscreen, though I think it&#8217;s primarily appreciated as make-up. It&#8217;s incredibly endearing.</em></p>
<p><strong>Us.</strong></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728820616/" title="IMG_9418 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1016/4728820616_c50f8f6f0d_z.jpg" width="427" height="640" alt="IMG_9418"></a><br />
<em>Azure pouring water on the Tuesday Buddha.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728813946/" title="IMG_9412 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1144/4728813946_f533b54afe_z.jpg" width="427" height="640" alt="IMG_9412"></a><br />
<em>Me pouring water on the Saturday dragon. If anyone knows what this symbolizes maybe you can leave the info in a comment.</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4728820206/" title="IMG_9417 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1102/4728820206_c254c4ff9f_b.jpg" width="700" alt="IMG_9417"></a><br />
<em>My favorite of this whole set &#8211; Azure back at Tuesday with the guide</em></p>
<p>Anyway, I&#8217;m glad to finally have the pictures up and done with, they&#8217;d been blocking up my system for over six months! (Ew!) We&#8217;re going through our Myanmar pictures right now, so expect more in the days to come.<br />
 </div></p>
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		<title>Buddhist Nuns in Yangon, Myanmar</title>
		<link>http://www.quarteryear.com/buddhist-nuns-in-yangon-myanmar/</link>
		<comments>http://www.quarteryear.com/buddhist-nuns-in-yangon-myanmar/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 05:55:06 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Myanmar]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[alms]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[buddhist nuns]]></category>
		<category><![CDATA[monks]]></category>
		<category><![CDATA[Rangoon]]></category>
		<category><![CDATA[Yangon]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2041</guid>
		<description><![CDATA[by Mike While Azure and I sat at a tea shop in Yangon we were approached by a young monk with his collection bucket. He held it out to us. I was happy to offer some food, so we held up a pastry, &#8220;Do you want this?&#8221; He shook his head no. I held up [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4722993042/" title="Buddhist Nuns, Yangon, Myanmar by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1135/4722993042_679ac4224f_b.jpg" width="700" alt="Buddhist Nuns, Yangon, Myanmar" /></a></p>
<p>by Mike</p>
<p>While Azure and I sat at a tea shop in Yangon we were approached by a young monk with his collection bucket. He held it out to us. I was happy to offer some food, so we held up a pastry, &#8220;Do you want this?&#8221; He shook his head no. I held up another pastry and he shook his head again, &#8220;No.&#8221; <a href="javascript:collapseExpand('1980')">Click to Read More</a><div id="1980" style="display:none;"> </p>
<p>Of course the monk isn&#8217;t going to ask straight out for anything, because he shouldn&#8217;t <em>want</em> in the first place (he should just present himself without expectations)&#8230; but the kid wanted money. We were uneasy giving him money because the practice isn&#8217;t supposed to be about that, we thought. That&#8217;s more like begging. </p>
<p>Wasn&#8217;t it the point that Buddhist monks be happy with whatever they&#8217;re offered? Wasn&#8217;t it the point that they not be choosy about food, that they only accept alms to keep their body going so it can house the life-force?</p>
<p>We were getting a little upset about the apparent corruption of what we thought were pretty straight-forward Buddhist values &#8211; and the fact that we&#8217;d met some unimpressive, certainly unenlightened monks a few nights earlier. One was possessive of us, which is again out of sync with what we understand to be Buddhism.</p>
<p>Azure and I spent the morning trying to figure out if we had misunderstood the practice or if we were seeing it misapplied somehow.</p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4723041425/" title="IMG_9534 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1129/4723041425_b29738c1dd_b.jpg" width="700" alt="IMG_9534" /></a></p>
<p>Sitting at another tea shop, an English teacher &#8211; I don&#8217;t remember his name, but it starts with Oo Oo &#8211; noticed I was wearing the traditional Myanmar longhi, and he commented on it. He sat down to talk with us. His long white hair was in a top knot and there were long, white wisps coming off, as I imagine a schoolteacher from the 1820s old west might look. He had a whiskery mustache and no beard. His white shirt was buttoned up to the collarless top, and he wore the same traditional longhi, of course. I asked him why he dressed like this while few others did. He said that he wanted to keep the traditions alive. Yes! Why are there so few who understand this?</p>
<p>We took advantage of his English-speaking to ask him about the Buddhists. He said he was a Buddhist, though he only lasted as a monk for 10 days. He said that we should give money to nuns &#8211; they need it. They&#8217;re not well-taken care of by the monasteries, monetarily. They only receive raw rice then have to cook everything themselves.</p>
<p>On the other hand &#8211; and we sensed this &#8211; monks don&#8217;t need the money at all. They get donations and eat very well, everything is prepared for them, so they don&#8217;t even take food when it&#8217;s offered. He said there are a lot of &quot;fake&quot; monks who only put the robes on then don&#8217;t change anything. They have a plan to start a business or something, so they throw the robes on, collect money while taking English classes and internet classes, then when they have enough they quit and start some computer store or whatever.</p>
<p>People (and all the monks) can tell the difference between genuine monks and fake monks. Some genuine monks &#8211; as I suspected &#8211; become forest monks. It&#8217;s just in their nature, he said, to go and be alone and meditate in a cave or under a tree. Some genuine monks will stay in the temples as teachers. Monks are not respected here unless they deserve respect, it seems, and people know the difference.</p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/4722994878/" title="Urban Lady Monks, Yangon, Myanmar by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm2.static.flickr.com/1035/4722994878_c387552f2a_b.jpg" width="700" alt="Urban Lady Monks, Yangon, Myanmar" /></a></p>
<p> </div></p>
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		<item>
		<title>Market Scene</title>
		<link>http://www.quarteryear.com/market-scene/</link>
		<comments>http://www.quarteryear.com/market-scene/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 16:05:10 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Southeast Asia]]></category>
		<category><![CDATA[bali]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[market]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=1988</guid>
		<description><![CDATA[Somewhere on Bali]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4183360705/" title="IMG_6237 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4008/4183360705_dddbf03cc6_b.jpg" width="700" alt="IMG_6237" /></a><br />
<em>Somewhere on Bali</em></p>
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		<title>Modern Worship</title>
		<link>http://www.quarteryear.com/modern-worship/</link>
		<comments>http://www.quarteryear.com/modern-worship/#comments</comments>
		<pubDate>Tue, 15 Jun 2010 04:39:14 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[bali]]></category>
		<category><![CDATA[hermann hesse]]></category>
		<category><![CDATA[modernity]]></category>
		<category><![CDATA[presence]]></category>
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		<category><![CDATA[technology]]></category>
		<category><![CDATA[tiger]]></category>
		<category><![CDATA[travel philosophy]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=1984</guid>
		<description><![CDATA[Hibiscus Tiger, Bali, Indonesia by Mike Nice tiger picture, right? Well, the picture that goes with the quote below was supposed to lead this post, but I just couldn&#8217;t bare to put it in plain sight. It&#8217;s hidden behind the Not Safe For Work cut. The following is a quote from Steppenwolf (1929) by Hermann [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/4188667855/" title="IMG_6575 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm5.static.flickr.com/4009/4188667855_fed7a7bf50_b.jpg" width="683" height="1024" alt="IMG_6575" /></a><br />
<em>Hibiscus Tiger, Bali, Indonesia</em></p>
<p>by Mike</p>
<p>Nice tiger picture, right? Well, the picture that goes with the quote below was supposed to lead this post, but I just couldn&#8217;t bare to put it in plain sight. It&#8217;s hidden behind the Not Safe For Work cut.</p>
<p>The following is a quote from <em><a href="http://www.amazon.com/Steppenwolf-Novel-Hermann-Hesse/dp/0312278675/ref=sr_1_3?ie=UTF8&#038;s=books&#038;qid=1276576337&#038;sr=8-3">Steppenwolf</a></em> (1929) by Hermann Hesse. There&#8217;s this ongoing (semantics-heavy) debate in travel circles about the difference between a &#8220;traveler&#8221; and a &#8220;tourist.&#8221; Here&#8217;s what I think: nobody with a cell phone is traveling. That&#8217;s all I&#8217;ll contribute to the debate at this point. Here&#8217;s Hesse:</p>
<blockquote><p>
We talked, too, of her nephew and she showed me in a neighboring room his latest hobby, a wireless set. There the industrious young man spent his evenings, fitting together the apparatus, a victim to the charms of wireless, and kneeling on pious knees before the god of applied science whose might had made it possible to discover after thousands of years a fact which every thinker has always known and put to better use than in this recent and very imperfect development. We spoke about this, for the aunt had a slight leaning to piety, and religious topics were not unwelcome to her. I told her that the omnipresence of all forces and facts was well known to ancient India, and that science had merely brought a small fraction of this fact into general use by devising for it, that is, for sound waves, a receiver and transmitter which were still in their first stages and miserably defective. The principal fact known to that ancient knowledge was, I said, the unreality of time. This science had not yet observed. Finally, it would, of course, make this &#8220;discovery,&#8221; also, and then the inventors would get busy over it. The discovery would be made &#8211; and perhaps very soon &#8211; that there were floating round us not only the pictures and events of the transient present in the same way that music from Paris or Berlin was now heard in Frankfurt or Zurich, but that all that had ever happened in the past could be registered and brought back likewise. We might well look for the day when, with wires or without, with or without the disturbance of other sounds, we should hear King Solomon speaking, or Walter von der Vogelweide. And all this, I said, just as today was the case with the beginnings of wireless, would be of no more service to man than as an escape from himself and his true aims, and a means of surrounding himself with an ever closer mesh of distractions and useless activities. But instead of embarking on these familiar topics with my customary bitterness and scorn for the times and for science, I made a joke of them; and the aunt smiled, and we sat together for an hour or so and drank our tea with much content.</p></blockquote>
<p><a href="javascript:collapseExpand('7436')">NSFW</a><div id="7436" style="display:none;"> <br />
<a href="http://www.flickr.com/photos/mikegoldstein/3138055106/" title="Welcome to the USA by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm4.static.flickr.com/3097/3138055106_59a688ca40_b.jpg" width="700" alt="Welcome to the USA" /></a><br />
<em>At the Palm Beach, Florida airport on our way back from Colombia.</em><br />
 </div></p>
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