<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Quarter Year &#187; Colombia</title>
	<atom:link href="http://www.quarteryear.com/category/south-america/colombia-south-america/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.quarteryear.com</link>
	<description>Travel</description>
	<lastBuildDate>Mon, 23 Jan 2012 23:06:21 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Recording a Place</title>
		<link>http://www.quarteryear.com/recording-a-place/</link>
		<comments>http://www.quarteryear.com/recording-a-place/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 04:21:40 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[South America]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[bogota]]></category>
		<category><![CDATA[candelaria]]></category>
		<category><![CDATA[journaling]]></category>
		<category><![CDATA[sense of place]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.quarteryear.com/?p=2160</guid>
		<description><![CDATA[The Candelaria in Bogota, Colombia by Mike To accompany this photo I searched my journal for a piece of writing that might radiate a sense of place in Bogota, but in the two weeks we spent there I only filled ten pages and little of it describes the texture of the city. Some say, &#8220;Put [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/mikegoldstein/3175890035/" title="Pink Street, Bogota, Colombia by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm4.static.flickr.com/3435/3175890035_1b03ce9ab7_b.jpg" width="700" alt="Pink Street, Bogota, Colombia" /></a><br />
<i>The Candelaria in Bogota, Colombia</i></p>
<p>by Mike</p>
<p>To accompany this photo I searched my journal for a piece of writing that might radiate a sense of place in Bogota, but in the two weeks we spent there I only filled ten pages and little of it describes the texture of the city. Some say, &#8220;Put away the camera and enjoy the place!&#8221; but the two acts aren&#8217;t mutually exclusive. In fact, if measuring by regret (which is the only way to measure anything ever), I rarely regret taking the time to capture something but more often regret losing the first-person insight during a unique experience. With this in mind, sometimes I&#8217;ll simply list everything I&#8217;m noticing at a particular moment &#8211; sounds, smells, physical feelings, words, etc.</p>
<p>At the beginning of my first trip in 2001 I had to ask (our friend) Amy, &#8220;So, why does a person keep a journal?&#8221; I was on my way to Europe for the summer and had gotten a <strong>gorgeous</strong> hand-made journal from my then-girlfriend (I still count it as one of the most meaningful gifts I&#8217;ve received). Amy thought it was hilarious that I was asking for advice on what to write about in my own personal journal, but she ended up giving a pretty good rule of thumb: <em>Write about stuff you don&#8217;t want to forget</em>. It&#8217;s amazing, ten years later, to read back and say, &#8220;Oh yeah! I&#8217;d completely forgotten about that!&#8221; It makes me wonder what else I&#8217;ve experienced that might interest me, but I guess that can&#8217;t be easily mined.</p>
<p>Anyway, this picture is from a scenic little neighborhood in Bogota called The Candelaria. I think the photo captures the sense of place, even if my writing didn&#8217;t.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.quarteryear.com/recording-a-place/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Universal Language</title>
		<link>http://www.quarteryear.com/universal-language/</link>
		<comments>http://www.quarteryear.com/universal-language/#comments</comments>
		<pubDate>Sat, 25 Jul 2009 05:18:23 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Barcelona]]></category>
		<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Retrospect]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[graffiti]]></category>
		<category><![CDATA[swastika]]></category>
		<category><![CDATA[synchronicity]]></category>
		<category><![CDATA[Uribe]]></category>

		<guid isPermaLink="false">http://quarteryear.wordpress.com/2009/07/24/universal-language/</guid>
		<description><![CDATA[Just a couple pictures of swastikas&#8230; (read more) Barcelona 2004 Bogota 2008]]></description>
			<content:encoded><![CDATA[<p>Just a couple pictures of swastikas&#8230;<br />
<a href="javascript:collapseExpand('1524')">(read more)</a><div id="1524" style="display:none;"> </p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/100628318/" title="PB190064 by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm1.static.flickr.com/29/100628318_0f10247fae_b.jpg" width="700" alt="PB190064" /></a><br />
<em>Barcelona 2004</em></p>
<p><a href="http://www.flickr.com/photos/mikegoldstein/3104511883/" title="Graffiti in Bogota by Michael Joseph Goldst... etc, on Flickr"><img src="http://farm4.static.flickr.com/3019/3104511883_c637097fa2_b.jpg" width="700" alt="Graffiti in Bogota" /></a><br />
<em>Bogota 2008</em><br />
 </div></p>
]]></content:encoded>
			<wfw:commentRss>http://www.quarteryear.com/universal-language/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
	</channel>
</rss>

